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Google has designed this impractical keyboard with many use cases in mind

Are you tired of typing on your boring keyboard? Well, then Google Japan has a new concept keyboard that will blow you out of your chair. The company is having some fun and has revealed a GBoard stick version keyboard resembling a long ruler or stick. The project is likely a fun prank; even the website’s URL gives that vibe. Gboard Bar is a physical keyboard that has all of its keys lined up in one row. Google’s Impractical Keyboard is loaded with benefits, with the most important being that it allows users to find the key that they are looking for faster than ever before. Like any good product, it all starts with inspiration. For Google Japan, that inspiration came from the fact that for years, many had focused on just the word “key” in the word “keyboard” and never really went further. In Japanese, the word keyboard translates to キーボード (kii-bou-do), so with キー (kii (key)) getting so much attention, it decided to focus on the ボー (bou) portion, which on its own translates to bow (staff/bar). Using this, it was able to come up with a new design, improving navigation when compared to a traditional keyboard by placing all of the keys in a straight line. Google Japan has said that Gboard Bar allows the user to minimize the need to look in all directions as they have to do on a traditional keyboard. They can just start at the beginning and go through each key until they find what they are looking for. Google keywords are the future and there is no denying the fact. Being a DIY keyboard, you also have the option to arrange the keys in an ASCII code layout and even replace those you rarely use with emoji shortcuts instead. From the reveal video, it is suggested that the Gboard Bar relies on wireless connectivity and features a built-in battery. Additionally, gamers will be delighted to know that the design team is considering developing a gaming variant that would feature RGB lighting.

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Just The Best Tech Lists Of 2008

1. 50 Wonderfully Geeky Moments of 2008 (Asylum)

From the government using “World of Warcraft” to track terrorists to a Hollywood hottie’s reluctance to get up close and personal at Comic-Con, the folks at AOL’s Asylum blog found 50 fun and funny geek-friendly moments from the year. There’s plenty here to keep you busy and entertained. Oh, and the first slide shows Megan Fox wearing a rather tight and short Star Wars shirt. Enough said.

2. Most Viewed Photos of 2008 (National Geographic)

A picture’s worth a thousand words, as the saying goes, and National Geographic knows how to capture a moment in an image. The magazine put together a compilation of its 10 most viewed online photo galleries of 2008. One photo tells the story of Hurricane Ike through the face of a single woman; another shows an alien-like squid creature observed at an oil drilling site (a Digg favorite). These are some images worth revisiting or seeing for the first time.

3. Top 12 Tech Embarrassment of 2008 (TechCult)

2008 had its share of tech-related slip-ups, and now’s the time to look back and laugh (or cringe). Whether it’s the year’s “Most Embarrassing Service Lifespan” — congrats, Lively by Google — or an NFL player’s all-baring blog in the “Most Embarrassing Online Exposure” category, you’re bound to find a chuckle in this collection. Also, I hear the writer is one hell of a guy, and far too modest to ever do something like put his own story into a “top 10” list.

4. Best of 2008 Plus the People’s Choice (CrunchGear)

From the lowlights to the highlights, CrunchGear’s “Best of 2008” takes you through the year’s best and brightest from the world of tech. The writers from TechCrunch’s sister site weigh in with their professional opinions, then present the results of a public poll — and the two views don’t always match up. In the “Best Phone” award, for example, the staff picks the Android-based T-Mobile G1, while the people pick the iPhone 3G. Surf on over and get in on the debate.

5. 24 Most Underrated Web Sites of 2008 (Mashable)

So many year-ender lists tackle big name products and stories. Mashable takes a different approach by focusing on two dozen new Web sites that didn’t get their deserved day in the spotlight. The list profiles some promising startups you might not have seen, such as a site that lets you hear words pronounced in practically any language by a native speaker. “24 Most Underrated” is an interesting read that stands out from the rest.

7. 101 Most Essential iPhone Apps of 2008 (MacLife)

Love it or hate it, there’s no denying 2008 was the year of the iPhone — and, of course, the endless piles of apps. The guys at MacLife went through the App Store’s thousands of options and picked out 101 of the best options available. This exhaustive compilation is well worth a read for any iPhone fanatic.

8. 10 Most Disappointing Games of 2008 (Wired)

It’s easy to look to the bottom of the barrel for a “worst of” list. In evaluating the year’s most disappointing games, though, Wired started at the top. The staff searched for titles that just didn’t deliver what they should have — offerings such as Mario Kart Wii, which is described as “fail[ing] to innovate in any meaningful way over earlier entries in the series.” Ouch…that stings. Star Wars: The Force Unleashed and Spore are among the other picks for most underwhelming.

9. Quotes of Note From 2008 (PC World)

Kids say the darndest things — and so, apparently, do high-ranking tech executives. This collection of notable quotes from 2008 covers a lot of ground, ranging from Larry Ellison’s cloud computing admission to Linux mastermind Linus Torvalds’ “masturbating monkey” reference while discussing security vulnerabilities. Add in the talk of space elevators and male enhancement e-mails, and you’ll see why this story made the cut.

10. The 2008 Colbert Gadget Guide (Comedy Central)

What better way to end our list than with a wisecracking review of 2008’s gadgets and games? Stephen Colbert’s “Gadget Guide” features some of the finest tech-related moments from Colbert’s Comedy Central show, all presented in embedded video form. Watch Rush try to play its own “Tom Sawyer” on Rock Band, check out Colbert’s take on the recently unveiled self-driving car, and see why the “shoe phone” may be Apple’s next big seller. Take a bite out of that, Steve Jobs.

Scientists Spotted A Supernova Just Hours After It Exploded

Talk about going out with a bang. Stars that are about 10 times more massive than the Sun tend to die in colossal explosions called supernovae.

Scientists aren’t sure why or how these stars detonate near the end of their lives, but recent observations of a six-hour-old supernova—the youngest ever observed—are shedding light on the star’s final moments. The results were published Monday in Nature Physics.

Going nova

Stars are essentially fusion reactors. Young stars combine hydrogen into heavier elements, like helium, within their cores. As the star ages, fusion produces heavier and heavier elements until an iron core develops. As the star runs out of hydrogen fuel and its core gets heavier and heavier, it collapses in on itself, triggering what’s called a type II supernova.

Scientists have found that in some rare types of supernovae, the star erupts gaseous material into its outer layers before it collapses. But it hasn’t been clear whether this process is normal for more common types of supernova. By the time scientists typically discover a star that’s exploded, the supernova is several days old—by then the explosion has swept away the outer shell of material and any the clues it contained.

A supernova is born

On October 6, 2013, an automated sky survey at California’s Intermediate Palomar Transient Factory (iPTF) detected SN 2013fs—located 160 million light years away in a nearby galaxy—just three hours after the blast. Within hours of the first detection, scientists at other observatories jumped at the rare opportunity to study a newborn supernova, turning their telescopes toward the exploding star to measure its emissions.

Their observations showed that the star had been a red supergiant, and that the type II supernova exploded outward at maximum speeds of about 224,000 miles per hour.

They also found that, before the explosion, the star had been encircled in a disk of material that it ejected in the year leading up to its fiery demise. The results confirm that type II supernovae—the most common type of supernova, making up about 50 percent of all exploding stars—form these shells of gas before they explode.

“It’s as if the star ‘knows’ its life is ending soon, and is puffing material at an enhanced rate during the final breaths,” says Ofer Yaron, study co-author and astrophysicist at the Weizmann Institute of Science in Israel.

As shockwaves exploded out of the star, they ionized the material in the shell of gas, allowing instruments on Earth to see what encircled the red supergiant. The spectra revealed oxygen VI in the contents, a highly ionized state of oxygen that hadn’t previously been detected in supernova spectra, says Yaron. “That’s because we caught this event when extremely young and hot.”

The researchers think that in its final days, the star spewed out lots of material, losing mass rapidly before the core collapse. They suspect this mass ejection may destabilize the star, leading to the core collapse and supernova. This would mean that the structure of an exploding star is different from what physicists had assumed before. However, they’re still trying to explain why the star shed so much mass in its final days and years.

Future telescopes may be able to help. The Zwicky Transient Factory, which will replace the iPTF later this year, will be able to survey about 10 times more of the night sky than its predecessor. And a space telescope called ULTRASAT, proposed by the Weizmann Institute and Caltech, aims to detect the first UV signals of a supernova, catching them just minutes after the blast. If the mission gets support, it would “uncover a whole new phase of [supernova] exploration and study,” says Yaron.

Exit The King, And Enter Random Actor

Exit the King, and Enter Random Actor

The cast and crew of Exit the King, with artist-in-residence Paolo Scoppola (center), run a tech rehearsal April 27 at CFA’s Studio One.

Theater Technology

Exit the King, and Enter Random Actor School of Theatre production unveils software created at BU for stage projections

There will be two premieres at the College of Fine Arts on Wednesday night.

The School of Theatre production of Exit the King opens for a five-show run in Studio ONE. And the performance will mark the debut of Random Actor, a software tool for creating live, interactive stage projections that’s been in the making at BU for four years.

“It’s almost magical. It’s really wild,” says Declan Schliesmann (CFA’22), who stars as the King.

Written by Eugène Ionesco and translated by Donald Watson, Exit the King is the absurdist tale of King Berenger the First, whose empire has crumbled and whose life is coming to an end. As directed by Clay Hopper (CFA’05), a CFA senior lecturer in directing, this production will look different from anything you’ve ever seen.

Three motion detectors will capture data on Schliesmann’s movements on stage and feed that information to the Random Actor software, which in turn will give directions to another set of equipment that produces the projections. Random Actor will also use input from stage mics that capture the King’s voice. And the software will be operated by a graphic designer who can tweak the projections in real time.

This video, taken at rehearsals, gives a taste of what Random Actor’s projections will look like. Video by Bob Heim, Shipley Center for Digital Learning & Innovation

It’s easy to understand when you see it, much harder to explain. Basically the King will be accompanied around the stage by a retinue of tiny graphic objects projected on backdrop, floor, and the actor himself, a “particle system” that moves when he moves and seems to change in accord with his very state of being.

“The test is, does it reveal more about the play, or does it simply look like gift wrapping,” Hopper says.

“When I first heard about it, I couldn’t wrap my mind around what it was,” Schliesmann says. “Particle system? I don’t even know what that is, but I’m excited to find out,” he says he thought. “I was certain it was going to be a process unlike anything I’d done before.”

In technical rehearsals, the actor had to focus on the story in the traditional way, embodying the king’s mortal journey, while also remaining aware that Random Actor was using his movements to shape the projections around him. Just as an actor’s performance is slightly different every time, so are the projections.

“That’s been very challenging, but also incredibly rewarding,” Schliesmann says. “There are moments in the play where the particles go up my body and I can see them responding to my movements. I don’t need to imagine what’s happening to me because it’s all right there.

“It helps illustrate the whole story we’re trying to tell. And it becomes very beautiful toward the end, when the system doesn’t respond to me anymore,” he says.

Help from the Shipley Center and a visiting artist

Behind the theatrical project is a technical one, supported by the Shipley Center for Digital Learning & Innovation and driven by visiting artist Paolo Scoppola.

“The Random Actor project is our first collaboration with CFA, and a showpiece of the Shipley Center’s mission of enhancing the undergraduate experience at BU through the creative use of technology,” says Chris Dellarocas, associate provost for digital learning and innovation and Shipley Professor of Management at Questrom School of Business. “The project strengthens CFA’s ability to educate creative artists for a digital future.”

Random Actor began at a CFA meeting four years ago, where Hopper started talking about projections in theater with James Grady, BU Spark! creative director and a CFA assistant professor of art, graphic design. They agreed most projections were lacking, not integral to the production, “a TV with a play happening in front of it,” as Hopper says.

Instead, they wanted to create projections that were more about what was happening among the actors on stage, “so the environment could change to reflect the interior life of the characters,” Hopper says.

“I was talking about some of my research when I was at Rhode Island School of Design, where I was doing a lot of interactive, immersive, 4-D design,” Grady says.

Grady and Hopper worked on the idea together for a 2023 Hopper-directed production of 1984 at the School of Theatre, using an Xbox Kinect for motion capture. But making even the slightest change meant days of reprogramming.

Artist-in-residence Paolo Scoppola (left) checking on the projections made by his software during a tech rehearsal for Exit the King , with Declan Schliesmann (CFA’22) (right), who plays the King.

“The goal has always been, how do we build a tool that doesn’t need people to recode it—that we can support so theater students can use it, designers can use it, and developers can build on top of it,” Grady says. “Clay and I have always been working with the passion of developing this so it can be used in the theater and only enhances the experience and doesn’t become some sort of mask over the performance.”

Grady took the idea to BU Spark! where students worked on it for several semesters, but eventually the project needed a veteran with both the software and the art chops to get it over the finish line. Hopper and Grady found Scoppola, who arrived for a four-month residency this semester, supported by a $55,000 grant from the Shipley Center.

“There’s an interactive and visual and artistic component to this project, which is a first for us, and we are thrilled to support that,” says Romy Ruukel, director of the Shipley Center. “It’s a fantastic collaboration between art and technology.”

Scoppola, from Italy, has a long track record of interdisciplinary art projects combining digital technology and interactivity.

“I was playing piano when I was a kid and doing drawings, and I was one of those kids in Italy who grew up trying to spread out their fantasies. It was the golden age of education,” he says with a laugh. As a university student, he studied computer science, and went to work as a virtual reality software engineer for a company in Italy that was creating the first interactive installations for art museums. Still playing piano, guitar, and violin on the side, he began doing music for documentaries and TV series.

“But I approach it from a different way. Here is a way to make art, not to do applications,” he says.

Now Scoppola’s website lists artwork, including installations, photography, music, drawing, and “brain drops,” a research project involving rehabilitation patients in Italy that mixes art and neurological research. He is perhaps best known for major public art installations and projections in public spaces in Italy and across Europe as well as for joint performances with musicians.

“He was always really involved and excited about this project based on the work he did,” Grady says. “I talk to Paolo about what is the design and technology that is happening and how that can be applied in the context of theater.”

Scoppola is writing what Hopper calls “bespoke software” for Random Actor and putting it to work on Exit the King. “It’s hard, because we’re building the software as we’re doing the show,” Hopper says with a chuckle.

“Especially for a live performance,” Grady says, “we don’t want to put anything out there that’s not totally bulletproof. It could crash, the light could go out, and we want to have backups and be very practical, even though it’s a very conceptual and technical thing. We want to make sure it just flat-out works.”

Random Actor also got a tryout in a movement class for fourth-year acting students taught by Yo-El Cassell, a CFA assistant professor of movement, resulting in a performance at the Howard Thurman Center for Common Ground.

It’s important to look at what happens beyond Exit the King, says Diane Carroll, Shipley Center project manager. “It will become a tool that can be used for other applications across the University, that’s what’s exciting,” Carroll says. “Clay’s using it in a theater performance and there’s a movement or dance performance and maybe someday someone will say they want to do projections on a building on Comm Ave. I just feel like in the next few months or the next year, there’s going to be something even more exciting coming. What do they want to do next?”

Ruukel says the Shipley Center would love to support more creative projects. To get started, faculty and staff can attend a May 17 information session or request a consultation.

Explore Related Topics:

The Best Apple Ipad Keyboards

Oliver Cragg / Android Authority

In the world of tablets, the Apple iPad remains the undisputed people’s champion, with its sleek design, intuitive interface, and exclusive app ecosystem. However, a good keyboard is necessary if you use your tablet as a laptop replacement or even the occasional productivity station. We’ve selected the best Apple iPad keyboards tailored to specific user needs and preferences. Read on to decide which is best for you.

The best Apple iPad keyboards

Whether you have an iPad Pro or the standard iPad, we have handpicked the top Apple iPad keyboards for various user types. Apple’s own Magic Keyboard still delivers the best overall experience, but the Logitech Combo Touch Keyboard for a high-quality alternative. The Apple Smart Keyboard Folio is perfect for those who don’t need a trackpad, and the Zagg Pro Keys is reliable for the budget-conscious. The Brydge Max Plus is for productivity enthusiasts, and the Logitech K780 is for those with a multi-device setup. Hit the links below to check them out.

Logitech Combo Touch: The best protective keyboard

Amazon

The Logitech Combo Touch is a versatile, mid-range folio keyboard that offers excellent protection for your iPad. Designed for 11-inch and 12.9-inch iPad Pro models and 4th and 5th-generation iPad Air models, this keyboard connects using Apple’s Smart Connector, drawing power directly from the iPad. The Combo Touch features soft, backlit keycaps for added grip and a larger, responsive trackpad. It also includes a slot to hold an Apple Pencil.

While not as sleek as the Apple Magic Keyboard, the Logitech Combo Touch compensates with its protective features, such as the rubber bumper and thick padding. It’s also cheaper at $195. The sturdy kickstand is secure on various surfaces and enables adjustable viewing angles. Sure, the Combo Touch is a bit bulky, which might feel bigger when using the iPad as a tablet. However, its durable construction makes it a dependable option for iPad users who want a keyboard that provides some protection.

Apple Smart Folio: The best iPad keyboard without a trackpad

Amazon

The Apple Smart Keyboard is a portable-friendly option for users who desire a keyboard without adding much bulk to their iPad. The keyboard attaches to the tablet using magnets and serves as a screen cover with a soft lining, offering protection from scratches.

The keyboard is more minimalist, lacking backlights and a trackpad, but it is suitable for lap use in short periods or at a desk for longer sessions. Plus, it doesn’t require charging port pairing, so it is easy to set up. The Apple Smart Keyboard is a reasonably priced option at $129.99, considering its quality and convenience to iPad users.

Brydge Max Plus: SEO-optimized description

Amazon

The Brydge offers a diverse lineup of keyboards for many types of tablets, but for iPad users, the Max Plus, for $199.99, has a few unique design features. Unlike some of Brydges typical corner clamps, this one features a magnetic snap-fit case, allowing for a 135-degree screen rotation and adding a layer of protection on the backside.

The Brydge Max Plus connects via Bluetooth 5.0, and they provide an Instant-On connection that eliminates any lag often associated with Bluetooth connections. The keyboard also features a generously sized multi-touch trackpad, supporting all the necessary gestures. Lastly, the high-quality aluminum construction of the Brydge keyboard gives the entire setup a laptop-like feel.

Honorable mentions

That’s it for our list of the best iPad keyboards you can buy, but it’s only a fraction of what’s out there. We also want to give an honorable mention to the following products:

Keychron K3: For those who love mechanical keyboards, this one is lightweight, portable, and offers wired and Bluetooth connections. It sells for $89.99.

Omoton for iPad: Slim, lightweight, and ultra-affordable for just $19.99. There’s no stand or trackpad, just the basics.

Brydge Pro Plus: The classic clamp-style bridge keyboard, available for 12.9-inch and 11-inch models. It offers a protective build and has a reliable productivity layout. See pricing.

FAQs

To get your iPad to recognize your keyboard, turn on Bluetooth on your iPad, and put the keyboard in pairing mode. Once the keyboard appears in the list of available devices, tap on it to connect.

Yes, you can have a case on your iPad with a keyboard, but it depends on the case design. Some keyboard cases are specifically designed to hold and protect the tablet, while others may require a separate case.

To get the keyboard back to normal on your iPad, press and hold the Globe icon on the on-screen keyboard and select “Dock” or “Merge” from the options that appear.

If you frequently type or use your iPad for productivity tasks, it is worth getting a keyboard. It enhances your typing experience and allows you to work more efficiently.

Imessage Issues After Jailbreaking? This Fixed It For Me…

Upon jailbreaking my iPhone X running iOS 14.8 with checkra1n for the first time, something I began noticing while attempting to test various jailbreak tweaks – especially those intended to modify notification behavior – is that my device would no longer receive iMessages.

An iMessage fails to send to the recipient in this illustration.

While I could send iMessages without issue, it was as if my jailbroken handset didn’t register that I was receiving them and, consequently, didn’t notify me as a result. To make matters worse, incoming conversation bubbles didn’t even appear in the Messages app as they did on my other devices connected to iCloud.

My first instinctual troubleshooting step was to reboot my device into a jailed state to see if anything jailbreak related was causing the issue, and lo and behold, things worked as expected following the reboot. For those unaware, the jailed state is what you find yourself in after rebooting a semi-tethered or semi-untethered jailbroken device. In this state, jailbreak tweaks won’t operate and apps installed via your jailbreak will crash upon attempted launch.

My next order of troubleshooting was to boot back into a jailbroken state and attempt to discern whether jailbreak tweak was causing the issue, but after uninstalling every jailbreak tweak I had, the issue persisted. I remembered reading things online about like issues resulting from various tweak injection methods, so I tried something different: I swapped my tweak injection method.

Since Substitute receives regular updates comprised of bug fixes and improvements, that was the one I had been using for tweak injection since jailbreaking with checkra1n. I expected that it would operate more smoothly than the antiquated Cydia Substrate option, which seldom receives any updates if at all these days; but at least in my case, I was wrong to count it out.

After uninstalling Substitute and replacing it with Cydia Substrate, my jailbroken iPhone began receiving iMessages again as I would have expected from the start. I’ve been satisfied with the fix for several weeks now, and things continue to operate as expected even at the time of this writing.

I’ve seen more than a couple of similar reports on /r/jailbreak affecting primarily checkra1n and unc0ver users, so it seems that this could be a common problem with Substitute. Given that most checkra1n and unc0ver users are using Substitute for tweak injection of the box, that’s a concerning thought that holds enough merit to warrant further investigation.

Of course, Cydia Substrate only supports arm64 and older devices such as the iPhone X and older, so that would mean that arm64e devices like the iPhone XS and newer would be stuck with Substitute unless users of those devices try the Odyssey or Taurine ecosystem with libhooker for tweak injection instead.

Sadly, anyone using an arm64e device with this problem will need to choose between continuing to wait for a Substitute update that resolves this problem and switching to another jailbreak in the interim. Unfortunately, neither option is particularly attractive if you’re accustomed to the checkra1n or unc0ver ecosystem.

If you’re not already using Cydia Substrate, and you have a compatible device and want to try using it to fix the issue discussed in this post, then you can get it from the pre-loaded Bingner repository on your checkra1n or unc0ver jailbreak. If you don’t already have that repository for whatever reason, then you can use the URL below to add it to your package manager app:

I’d like to clarify that while this remedy worked for me in my situation, it may not work for everyone. That’s because every device setup is different, and there could be a different underlying cause in your case, such as a conflicting jailbreak tweak for instance. Still, I would recommend giving this a shot if you have a device that can run Cydia Substrate, as you just might get lucky like I did.

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